2009 injected a much needed spark of vitality into my new music consumption habits.
While 2008 was not a year to scoff at, it wasn't until the waning months of the year that an increased output of goodness saved the day (re: Killers, Kanye, Keane, Kings of Leon). Those releases ended up being so good that they dominated much of 2009: not only did we get one of the biggest hits of '09 from the most unlikely of sources (
Kings of Leon's "
Use Somebody"), but we also got the Face of 2009, Kanye West, who released the best album of '08 and ruled over '09 (until he went and messed it all up by bullying a little white girl).
I haven't been this excited about a year in music since 2007, when we got nailed with a trio of this decades new classics (
M.I.A.'s
Kala,
Radiohead's
In Rainbows, and
Amy Winehouse's
Back To Black). Let's face it: my 2008 only had one contender -- Coldplay -- and that wasn't even a contest.
So in 2009, the wealth of great music that we've been inundated with should hopefully be indicative of great things to come for the next decade. Much like 1999, which was a turning point that saw the over-saturation of nu-metal and teen pop implode on itself, paving the way for the early '00s rock renaissance, 2009 was also a year when things were shaken up a bit.
Indie music became mainstream. Hello Twilight: New Moon soundtrack...
Teen pop has morphed into light rock, with every Top 40 poplet employing a guitar riff or two.
Lazy auto-tuned rap finally killed itself and Jay-Z saved us all.
Pop-punk/emo will hopefully die with the "hiatus" of Fall Out Boy and the ascendancy of Green Day into the untouchable stadium rock echelon.
The lines are blurred again and there is nothing quite definitive about the current state of popular music, except that anything could define the next decade (if I have my way, "anything" will be Lady Gaga). When the top selling artist of the year was a genius whose premium output first saw the sun over twenty years ago and has not been topped since, you know we are in dire need of a new icon, a new sound.
I myself get older and more removed from the pop mainstream, entering that dangerous realm that we all must face sooner or later: the dreaded time in everyone's life where we just don't understand what the kids are listening to these days. Still shaking my head, I only hope that the "kids these days" catch wind of any of the albums below, some of which are so amazing that I have trouble comprehending the awesomeness. Without further babble, my favorite albums of 2009. Just do me a favor: right click those mofos and give the music a chance. You never know what you might discover.
10.
Franz Ferdinand:
Tonight
The most underrated album of the year, which is near-perfect (definition: every song is good) and yet got little to no recognition. Why is beyond me, for this is sublime dance-rock, the grooviest stuff Franz have ever recorded, and with such a slick sheen that "Take Me Out" sounds almost amateur. The swagger and confidence on these tracks absolutely drip with lust and danger.
Please try:
Ulysses, No You Girls, Live Alone, What She Came For
9.
Yeah Yeah Yeahs:
It's Blitz!
They went dance-pop and got a lot of shit for it, but this is also their most accessible and delicate record to date. Karen O, the sexiest Korean halfie to ever fellate a microphone, still howls like a banshee in a gangbang, but the jarring guitars and frenzied insanity have taken a backseat to dance beats. It's Blitz! is shockingly pretty.
Please try: Zero, Heads Will Roll,
Soft Shock, Dull Life, Hysteric
8.
Tori Amos:
Abnormally Attracted To Sin
After a disappointing decade with my favorite singer, there is hope. She's toned down the adult-contemporary crap and canned the schlocky guitars (mostly), with a few gems reflective of her early, sparser arrangements hidden in this overly long, overly produced record. Forgive the awful album cover (why'd you get a face lift? WHY?!?) and enjoy the sweeping melodies. [The "That Guy" 007 Bond version on YouTube is awesome.]
Please try: Welcome To England,
That Guy, Fast Horse, Ophelia, Lady In Blue
7.
Röyksopp:
Junior
This one came out of nowhere (Norway, actually). Built on the strength of supreme guest vocals from Robyn, Lykke Li, and Karin from The Knife, this album is a cohesive piece of work, flowing from start to finish without any filler. So catchy you can just leave it on repeat and keep dancing.
Please try:
The Girl And The Robot (with Robyn), Vision One, This Must Be It (with Karin from the Knife), It's What I Want
6.
Bat for Lashes:
Two Suns
Amazing. As Bjork and Tori have fallen off the creativity wagon, the world is lucky to have Natasha Khan and her Bat For Lashes. Lush arrangements, haunting melodies, and a beefed up rhythm section have resulted in a record more confident than her first, but unfortunately not as demanding of attention as her first disc. Nonetheless, with only half an album's worth of songs, she's already blown most of 2009's competition out of the water. Mind can be blown below...
Please try:
Sleep Alone,
Daniel,
Pearl's Dream, Moon and Moon, Glass
5.
David Guetta:
One Love
The best dance album of the year. Hands down. Every song is perfect. Every guest spot (Akon, Kid Cudi, Mr. Hudson, Will.I.Am, Estelle, Ne-Yo) clicks. After repeat listens, it remains fresh. If it could resurrect the career of Kelly Rowland (a.k.a. the unfortunate JC Chasez to Beyonce's Justin Timberlake), it could do anything, like save the world. One dancefloor anthem at a time.
Please try: When Love Takes Over (with Kelly Rowland), Gettin Over & Sound of Letting Go (with Chris Willis),
Memories (Featuring Kid Cudi), If We Ever (with Makeba)
4.
Noisettes:
Wild Young Hearts
Much like Yeah Yeah Yeahs, Noisettes ditched the din and racket of their previous hard-edged, punk sound and released one of the best records of the year. Front woman Shingai Shoniwa has a set of pipes better than Amy Winehouse (if we're sticking contemporary) and every melody is thoroughly catchy and addicting. The lyrics shine over eleven lovelorn, post-breakup anthems. Underrated and likely unheard by most ears, you have got to give this album a try. You won't regret it.
Please try: Don't Upset the Rhythm, Wild Young Hearts,
Never Forget You, Saturday Night, 24 Hours
3.
Silversun Pickups:
Swoon
I originally dismissed them as Pumpkins rip-offs for the longest time, but eventually I saw the light. It is rare these days for an artist to respect the smart listener with a fully realized album that is meant to be listened to from start to finish. Things really have changed since we were younger and didn't have the option of playlists and single-song downloads. But this album is totally worth it, filled with 50 minutes of intensity, beautiful orchestral accompaniments, and a driving passion that recalls the early 90s. Perfect for headphones
Please try: The Royal We, It's Nice To Know You Work Alone,
Panic Switch, Sort Of
2.
Lady GaGa:
The Fame Monster
Perfection. Period. From the insane genius of "
Bad Romance" to the Ace of Base tribute "
Alejandro," the cannibal love goodness of "
Monster" to the Vogue-redux "
Dance In The Dark." Even a track about wanking for good measure ("
So Happy I Could Die"). This short player tacked on to her already perfect debut
The Fame is so good it boggles my mind. I haven't been this excited about a new artist since... I can't even remember when. Standout gems "
Speechless" and "
Teeth" take some time getting accustomed to, but the payoff is worth it. And nothing this year is as catchy as her duet with Beyonce on "
Telephone." Nothing.
Please try: every.single.track.
1. Muse: The Resistance
The rock superheroes return to bless us with gigantic anthems, crushing riffs and brain-boggling new arrangements. It's the soundtrack for the X-Files movie that was never made, paranoid and genius. Like their previous album,
Black Holes and Revelations, each song stands on its own and could be a potential single. They are that strong. However,
The Resistance is tight and focused, more complex and layered, and must be listened to a couple times to be fully grasped and appreciated. The reward is phenomenal, especially on the 12 minute, three-part epic symphony, Exogenesis. Truly the best band on the planet (sorry
Coldplay).
Please try:
Uprising,
Undisclosed Desires,
United States of Eurasia,
MK Ultra,
Exogenesis Symphony part 1: Overture