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From my blog: My Aimz is True

What a strong year for music! I've had a hell of a time narrowing down my list this year. Once I got it down to my top 30 albums, it took me forever to parse it down to ten. One thing that I noticed about my particular list is that it really leans heavily towards the country/folk-ish albums. I'm usually a big indie rock geek, but for some reason none of the rock releases that professional critics are lauding this year really did anything for me (e.g. Grizzly Bear, Phoenix, Animal Collective, etc.). Does this mean that I am getting old and I subconsciously don't want to listen to what the damn hipster kids are into? Am I turning introspective and listening to music that more closely resembles the calamity that is my life? Would I feel the same had Okkervil River put out an album this year? Hmmm....

This list also leans towards artists that I saw live this year, and I have tried to reference back to their show somewhere in my review of that album. This system is probably not fair to the artists that I didn't see this year, but what can I do? I see an enormous number of shows every year, and if an artist/band doesn't get his/her/there ass(es) to Toronto, its not my fault.

Any of these top ten can rotate to the top of the list at any given time, but on this day, in the year of our lord two thousand and nine, these are my ten favorites.



1. Justin Townes Earle - Midnight At The Movies

Justin Townes Earle knows his country music history. Hell, given his middle name and surname, he's lived part of this history. Which is one of the reasons why Midnight at the Movies is so special. JTE, while acutely aware of his family legacy, writes songs that are uniquely his. In fact, many of these songs have so much classic country character that they sound like they could have been written by A.P. Carter. The instrumentation is almost all acoustic, and mixes classic country, bluegrass, blues, folk, and even a bit of rock. And in true classic country style, JTE loves to tell stories in his music. The title track tells of a lonely soul waiting in the dark movie theatre for a few hours of affection from his mystery ladyfriend. Mama's Eyes may be JTE's most poignant song, describing his difficult relationship with his father, while acknowledging that he's also his mother's son. "Sure it hurts but, it should hurt sometimes." What a great lyric for anyone who has even had issues with their parents. Forgiven for This describes the disintegration of a relationship with the narrator hoping for eventual absolution. And every great country album needs a song about folk legend John Henry. Dirty Rag is a short bluegrass instrumental that sounds like it could have been written by The Sadies. The harmonica part on Halfway To Jackson really makes you feel like you are listening to a train chug by. But then JTE pulls a fast one on us with a brilliant country-fied cover of the Replacements Can't Hardly Wait. Who hasn't had the mandolin riff from this song stuck in their head since the album came out in March? In a year full of cover song recordings, this one is my favorite. There is a not a bad song on this album. Midnight at the Movies is a must own for all country music fans.

Concert Review: Justin Townes Earle at The Horseshoe Tavern


2. Carolyn Mark and N.Q. Arbuckle - Let's Just Stay Here

I will admit that the reason this album is so high on my list is that their live show was absolutely killer. After hearing Carolyn Mark sing I turned into this crazy/creepy fan girl and confessed my love for her when I ran into her in the washroom that night. How embarrassing. How old am I? Anyway, the album is wonderful, alternating between songs written by Mark and NQ Arbuckle. Some songs are serious (All Time Low), some are fun (Canada Day/Toronto), some are kick-ass covers (Too Sober to Sleep, Downtime), some will make you dance (When I Come Back), and some will make you cry (Saskatoon Tonight). And how can you not love a song that name drops the Drive-By Truckers (Officer Down)? Mark and Neville Quinlan's voices blend so well, and the musicianship on the record is top notch. I can't wait to see them again!

Concert Review: Carolyn Mark and NQ Arbuckle at the Dakota Tavern


3. Mark Olson & Gary Louris - Ready For The Flood

I still remember exactly where I was the first time I heard The Jayhawks trademark song Blue. My dad was driving me home from college for spring break 1995 and we were somewhere north of Milwaukee when Blue came on the radio. I've been a huge Jayhawks fan every since. The Jayhawks as we knew them may not exist anymore (they more or less have to pay Rick Rubin to use the Jayhawks name), but Mark Olson and Gary Louris continue making beautiful country/folk music, and Ready for the Flood sounds like it could be a proper Jayhawks album. Not that its a sounds totally like a Jayhawks release, but all of the elements are there. Highlights include The Rose Society, Bicycle, Turn Your Pretty Name Around, Saturday Morning On Sunday Street, and the rest of the album. Its also a long alum: 15 tracks and over 55 minutes. But as soon as its over you will want to play it again. I was worried that people would forget about this album since it came out in mid-January, and I remember freezing my ass off in February just to see this duo preform in Toronto. In summary, to quote my buddy Daddy, "The sound of these two humans harmonizing together again will melt your cynical heart and make you weep like a newly born babe washed in the white, blinding light of love." Well said, Daddy.

Concert Review: Gary Louris & Mark Olson at the Mod Club


4. Ben Nichols - The Last Pale Light in the West

In early 2009 Ben Nichols of Lucero put out his first solo album which immediately frustrated me because I had to wait eleven more months before I could put it on my best of list. We are used to Nichols writing kick-ass rock songs about getting drunk and breaking hearts, but when he put out an acoustic album based on Cormac McCathry's novel Blood Meridian, alt country fans everywhere were blown away. To quote Mr. Nichols himself, "I'm partial to the sad, slow shit," and that statement really shows on this album. Most of this album is slow, melancholy folk music, and you don't necessarily have to know the book to appreciate the lyrics. "Your mother died night you were born, her name you never knew..." Tell me that is not the alt country lyric of the year? And who would have thought that Ben freakin' Nichols would lead me to finally read a McCarthy novel? Which lead me to read another one, which lead me to buy two more as e-books which Brad Pitt will read to me while I am on vacation this winter.


5. Slaid Cleaves - Everything You Love Will Be Taken Away

Although this album came out in April, it wasn't until I started getting my thoughts on 2009 organized in November when I really started to listen to this album. When I hit the ole shuffle button on my 2009 playlist, the songs from this album always had me looking at my Zune and thinking, "This is great. Who is this?" This is an unhappy record, disguised in happy folk melodies. For example, the opening song Cry sounds like it could be an upbeat, poppy folk tune until you listen to the lyrics. "There's no poison like a dream when it all comes undone." Not to mention the downer of an album title. Green Mountains and Me is a beautiful song about love gone wrong. There are several references to dreams not coming true in various songs on this album, especially in the song, uhh, Dreams. Its not to say that this album is super depressing, but like life, we all have a hard time coming to terms with what will and will not be, and Cleaves does an excellent job at expressing these feelings in song.

This album was produced, mixed, and engineered by Gurf Morlix, who also put out one hell of a solo album this year. Morlix also plays various instruments and sings backup vocals on this album.


6. Corb Lund - Losin' Lately Gambler

This album has the most variety of any album that I listened to in 2009. Although its tagged as "country," it ranges all over the place from traditional country, to ballads, to country-rock, and continues on the long tradition, and Lund's previous songwriting, of humor and storytelling in country music. And some of the songs even contain musical elements of jazz and blues. The opening track, Horse Doctor, Come Quick, is about scoring drugs off of a veterinarian, which I am pretty sure was also an episode of the Trailer Park Boys. This Is My Prairie is an environmental/anti-corporate ballad that could have been written by Steve Earle. A Game In Town Like This is about regret, and it may be the best song that Lund has ever written. The fact that this song is not played on country radio makes me weep for the future of humanity. Edit: this "fact" may not be totally accurate as country radio doesn't exist in Toronto and I have done no other field research.


7. Drive-By Truckers - The Fine Print (A Collection Of Oddities And Rarities 2003-2008)

Pseudo-new Drive-By Truckers is better than most brand new releases. I say "pseudo-new" as some of these tracks have been floating around as bootlegs for quite a while (The Great Car Dealer War), some were used on random compilations (covers of Tom Petty's Rebels and Bob Dylan's Like A Rolling Stone), and some tracks are outtakes (Uncle Frank and Goode's Field Road). My personal favorite is the Trucker's unbelievably rocking cover of Warren Zevon's Play It All Night Long which sounds like it could have been straight out of their 2001 opus Southern Rock Opera. I also love the juxtaposition of Uncle Frank, an anti-Tennessee Valley Authority (TVA) rocking rant sung by Mike Cooley, followed by a deliberate pro- song TVA by Jason Isbell. And how great it is to hear new Isbell-penned Truckers songs? DBT have been together for over 15 years and undoubtedly have tons of other tracks stashed away. I can't wait for the next batch of oddities and rarities.

Concert Review: Private Drive-By Truckers show at the Phoenix


8. Dinosaur Jr. - Farm

The reason I love this album is very simple. I am a child of the 80s, and this record sounds like it was recorded in 1989. Indeed, all three original Dinosaur Jr. members are back for their fifth studio album: J. Mascis on guitar, Lou Barlow on bass, and Murph on drums. Farm sounds like a modern Bug (1989) with lots of Crazy Horse-style guitar distortion and killer riffs. Ten of the 12 tracks were penned by Mascis, while the other two are by Barlow. My only criticism of this album is that the Barlow tracks kind of drag relative to the kickassery (is that a word? spell check says yes) of the Mascis songs. But Barlow's tracks do not diminish the greatness of this record by any means. If you don't want the entire album, just promise me that you will pick up the first four tracks. They rock harder than anything else I have heard in 2009. In a year when indie rock mostly let me down, these aging indie rock gods showed the hipster kids how it is done.


9. Doug Paisley - Doug Paisley

This is the sleeper album which I kept coming back to in 2009. I often found myself on a late night subway or streetcar train, slightly intoxicated, thinking, "I really want to listen to Doug Paisley." This debut album contains sweet, gentle country folk. It opens with the heartbreaking What About Us? "Cause I just ain't no good alone." Gulp. We Weather is a tender love song about making it through the rough patches in a relationship, and contains some beautiful pedal steel work. Digging In the Ground has a wonderfully unique piano lick. Take My Hand is about reconciliation. If you like James Taylor without all of the cheesiness and a little more country, then you should check out Doug Paisley. (Awful comparison, I know, but its the best that I can come up with. Doug, if you are reading this I apologize.) Edit: Better comparison: Paisley's Canadian brethren Hayden, but with more twang.


10. Lucero - 1372 Overton Park

I didn't really like this album until I saw Lucero live. Then I fucking loved this album! There was a lot of hoopla in the blog-o-sphere about the fact that Lucero had incorporated a horn section into its band. To me, it was like Ben Nichols had spent too much time with The Hold Steady, for whom he did background vocals for their 2008 album Stay Positive. In fact, I thought it was The Hold Steady when I first heard it. Overall, I was fine with the horns, and even liked them better live where they were less pronounced. The thing that bugged me about this album was that wasn't that much different from previous Lucero releases. Not that this is a bad thing. I love, love, love their older albums. But after hearing Nichol's solo album (see #4) you realize how much more they can do than "boy with sketchy past meets girl with sketchy past, they get drunk, his/her heart is broken" (more or less the first eight tracks of 1372 Overton Park). "Drinking women chasing whiskey," from Sixes And Sevens is classic Lucero songwriting, as are most of the songs on this album. The only song that really stands out to me is Mom. Nichols slayed me when he did this song live. The song is an ode to the band's mothers, telling them yeah, we fuck around a lot, especially when we are on tour, but don't worry, you raised us right, and we will be home soon. Amazing. I want to hear more songs like Mom from Lucero. If 2007's Rebels, rogues, and sworn brothers was the "piano album," and 1372 Overton Park is the "horn album," I fully expect the "pedal steel" album in 2011.

Concert Review: Lucero at Lee's Palace