20. Tonikom – The Sniper’s Veil
The genre of this album is hard to pin down. It is clearly Electronic, although it has hints of IDM, drum and bass, and industrial. What makes her stick out in my mind is her ability to write extremely catchy drum beats with vocal samples over the top of it. Very good and very underrated.
19. Bill Callahan – Sometimes I Wish We Were An Eagle
The easiest thing to call this would be alt-country/folk, but its a little to weird to pigeonhole into any single category. The simplicity of his musical backing and the strangeness of his voice and cadence is what makes this a memorable album. Each time I listen to it I notice something different, even though at first glance everything would appear to be on the surface.
18. Cicada– Roulette
Straight up electropop. Sounds like what Ladytron might sound like if they decided to just play synths the entire time with catchy pop hooks over the top. The entire album kind of blends together into one song, which could be a complaint as well as a compliment.
17. The Field – Yesterday and Today
This was somewhat of a disappointment for me. The three tracks in the middle are amazing, but tracks 1,2 and 6 are forgettable. If those tracks had been as good as the three in the middle then this would hands down be my favorite album of the year. Even though the album as a whole was a disappointment, the song Leave It is my favorite song of the year, and one of my favorite songs of the decade easily.
16. The Twilight Sad – Forget The Night Ahead
I wasn't really sold on this band until I saw them live with Frightened Rabbit in L.A. After seeing them I gave this album a second chance and noticed a lot of things that I hadn't upon first listen. This is a perfect album to listen to when Fall is turning into winter, as the entire album deals with changing into something that you don't necessarily want to.
15. Jeremy Enigk – OK Bear
Although it doesn't have the orchestration of World Waits, it still has the brilliant songwriting of Sunny Day Real Eastate frontman Jeremy Enigk. In some ways I prefer the stripped down nature of this album as compared to his previous work, as it lets the songs themselves shine.
14. Plastik Joy – 3:03
Totally out of left field for me, I just randomly downloaded this off of a blog I frequent because I thought the name was interesting. It basically sounds like Dntel's best album, Life is Full of Possibilities, but it is a bit more straightforward in its vocal and melodic hooks. Incredibly enough the album itself conveys a sense of analogue warmth even though the entire thing is electronic. I look forward to hearing what these guys put out next.
13. The Wooden Birds – Magnolia
Sometimes simple is good, in that too much polish and fanfare can drown out the core of a song, which is its melody. The Wooden Birds strip songs down to their cores, usually only using male and female voice, guitar, and minimal rhythmic accompaniment. The product is a very solid album with no filler.
12. The Pains of Being Pure at Heart– The Pains of Being Pure at Heart
Although this is basically just Jesus and the Mary Chain/My Bloody Valentine worship, it is very good worship. Sometimes you don't need to be incredibly unique to release a very good album. The album itself is buried in a layer of fuzzy guitars and guy/girl vocals, and never overstays its welcome. Sometimes the shortness of an album is something to be appreciated.
11. WHY? – Eskimo Snow
Although Alopecia is a better album, Eskimo Snow has very good moments as well. For those not familiar with the band they are pseudo hip-hop/spoken word/indie rock, which sounds like a terrible combination but is something that you have to hear and make up your own mind about. I saw Why? Live about a month ago, and it was as good of a show that anyone could ask for.
10. Fuck Buttons – Tarot Sport
While their first album focuses on walls of noise and harsh vocals, Tarot Sport cuts out the abrasiveness and ramps up the melody. The end result is an album that in its repetition offers a number of earworms that are hard to get out of your head, as well as high amounts of repetition that become mesmerizing. I used the word repetition three times in this review.
9. Mount Eerie – Wind’s Poem
Although I saw this album performed in its entirety, and it was absolutley awful, the recording remains a high point of 2009. This is what happens when Lo Fi folk mixes with Lo Fi black metal. I am surprised that no one has though of doing this before now, because as odd as it may seem at first glance the styles are quite complimentary.
8. Delorean – Ayrton Senna
Although this is only a 5 song EP, it really makes an impression. It conveys an infectious joyful exuberance, and in my opinion is nearly impossible for anyone to not enjoy. Sounds like what might happen if you mixed Air France with Cut Copy.
7. Martyn – Great Lengths
I downloaded this album on a whim, and it resulted in my downloading dozens of dubstep comps and albums. My roommates can attest to the fact that Dubstep was about 30% of what I listened to all year. While some are familiar with dubstep through Burial, who's shuffle beat and weepy vocal samples make you feel like you are driving through the rain, Martyn conveys an opposite feeling. The songs themselves are upbeat, and very memorable. I recommend listening to this, and any dubstep really, loud and with the bass cranked.
6. God Help The Girl – God Help The Girl
I have always liked Belle and Sebastian, but always felt for every great song they had 2 to 3 that were easily forgettable. This album is a side project of Stuart Murdock from Belle and Sebastian, who held open auditions for female singers when forming the group. What we get here is his great songwriting through the voice of 3 very capable singers. Ironically enough they Belle and Sebastian covers on this album outshine the originals by far.
5. Dirty Projectors – Bitte Orca
At First listen I wasn't to sure about this album. "Stillness is the Move" stuck out to me with its amazing melody, but it took me a couple of listens to appreciate the complex yet catchy pop sensibility of the rest of the album. This is definately a grower, and I would recommmend if you don't like it upon first listen, keep it around for a while and see if you warm up to it after a couple of listens.
4. The Whitest Boy Alive – Rules
This group was formed with a very basic concept in mind. What they set out to do was to play dance music in its simplest form, with drums, bass, guitar, and some synth here and there. What some people would call boring I would call fantastic. What the group manages to do is take the core of dance music, 4/4 beat and the bassline, and morph it into very simple yet effective songs. The simplicity is what makes this stand apart from any other dance act.
3. Mew – No More Stories are Told Today, I’m Sorry, They Washed Away
Kind of hard to describe, but very very good. Sounds like what would happen if Passion Pit stopped playing electropop and started playing indie rock. I'm havinga hard time coming up with a description for this one, just listen to it!
2. Phoenix – Wolfgang Amadeus Phoenix
In Wolfgang Amadeus Phoenix, Phoenix has created the perfect pop album. Each song follows a stringent structure and format, which might lead one to believe that they album would convey a sense of sameness throughout. That couldn't be further from the truth. Phoenix, by telling themselves that they were going to only write 3:00-4:30 minute pop songs, have flourished rather than blundered. One only needs to listen to the rise ans fall of the chorus in "1901" to know what I am talking about. Even the seemingly filler song in the middle of the album has an amazing payoff in the end.
1. Fever Ray– Fever Ray
An incredibly dark and mysterious album, which should come as no surprise since its coming from The Knife's Karin Dreijer Andersson. She takes the enigma of The Knife and covers it in blackness. Forget Black Metal, this is the darkest album that I have ever heard. It is incredibly rewarding on multiple listens, in that it always has something new. And while it conveys all these dark emotional reactions, it also manages to be subtle and never beats you over the head with it.
Some of my favorite releases this year were Mixes/Compilations, and since they aren't albums they don't really belong on the list. That being said, I really loved them so I am going to mention them here.
5. Hercules and Love Affair - Sidetracked
A very good complilation album, blending some disco with classic house music.
4. 5: Five Years of Hyperdub
For anyone who is interested in dubstep, this complilation is absolutely essential. It surveys the 5 year history of the quintessential dubstep label, Hyperdub, and puts together a comp that flows incredibly well. From the wobble of Burial to the technicality of 2562, every sub genre of dub is represented on the comp. Highly recommended.
3. Ada - Adaptations Mixtape #1
Ada is one of my absolute favorite Electronic musicians/DJs, and this comp is her first release in 5 years save for a couple singles released here and there. It remixes a lot of tracks from her astounding album Blondie and mixes it with various other microhouse tracks.
2. Dark Was The Night
I'm pretty sure everyone knows what this is. Basically a who's who in indie rock. Usually when so many musicians of this calebver work together you get a lot of throwaway tracks that didn't make the album or half assed covers, but on this compilation the groups involved submitted some of their best material. Very very good stuff.
1. Kompakt Total 10
Kompakt is my favorite electronic label by far, and this comp is a good introduction to them for anyone who might be interested. Every year they release a comp, and this is their 10th anniversery, so the tracks on this are of the highest quality. This is something that I could listen to every week and it would never get old, because of the variation of styles represented.
As far as metal goes not much really caught my ear this year. Probably due to the fact that I am getting more and more into electronic music so I find myself downloading less and less metal. However there were a couple albums that caught my attention.
5. Behemoth – Evangilion
They have really redeemed themselves after the rotten shitfest that was their previous album, The Apostasy. The punch that the first three tracks delivered is their best material since demigod, but it kind of wanes after that.
4. Ensiferum – From Afar
Similar to Behemoth, I wasn't impressed with Ensiferum's previous album, Victory Songs. This one however, is way better. Since we will probably never see another Wintersun album, this will have to do.
3. Gorgoroth –Quantos Possunt Ad Satanitatem Trahunt
A step back towards their raw black roots, this album is harsh and full of hate, exactly what anyone would want from a Gorgoroth album. While I'm not one for purposely making your recordings sound terrible in order to get some black metal cred, I think the stripped down approach really serves Gorgoroth well.
2. Glorior Belli– Meet Us at the Southern Sign
This isa hard one to place. It sounds similar to Enslaved, but only if enslaved were from Oklahoma. It has a grim blackness about it, but also a melodic undercurrent that keeps it from being too dark. This is what I imagine Earth would sound like if they decided to play black metal.
1.Katatonia – Night Is The New Day
Katatonia is more rock then metal anymore, but that has only allowed them to write more memorable songs. this is a very depressing album, which is what they are best at. I wish more bands would make music like this.
This year I spent a lot of time getting music that came out before 2009, so it is interesting to look at my most listened to artists on last.fm for the year. Here is a quickplaycount of my top 10 most listened to artists in 2009.
1. Autechre - 375
I have Liked Autechre for a long time, But this year I really got into the stuff in between their major albums. Basically Autechre from 1993 - 1999 is some of my favorite music ever made. Its insance because basically every track they made in that time period is good if not great. After 1999 they went from being an ambient electronic group into more abstract territory, doing experiments with time signuratures and pushing the boundaries of what people call music. While I enjoy the exploratory nature of their more recent works, nothing beats the clash of complexity and simple melodies that made their early work so memorable.
2. Frightened Rabbit - 361
Even though they didn't release anything in 2009, I still find myself listening to both of their albums at least once a month. While Midnite Organ Fight is an awesome album, nothing beats the grittiness of Sings the Greys. There is a quality to it that makes it seem organic and human, where as Midnight Organ Fight can come off sounding a bit too polished. Also Sings the Greys is an unforgetable album from start to finish, where Midnight Organ Fight kind of veers off towards the end for me.
3. Meshuggah - 333
Even though my metal listening habits have waned a bit in the past year, I still listen to a lot of meshuggah. This should come to no surprise for anyone that knows me. About once every 2 months I find myself listening to the entire discography besides their terrible first demo and album.
4. Public Enemy - 289
I have always liked Public Enemy, but for some reason never got any of their material for this year. The sample heavy textures of the music itself make it interesting even upon multiple listens. Their 3 albums in the late 80's early 90's are definately my favorite and their best in my opinion. I have to admit though that I always skip the Flava Flav songs, because all they are is him going "ITS THE FLAVA FLAV MY NAMES FLAV I GOT FLAV FLAVAAA".
5. Mount Eerie - 244
This guy releases a ton of material, and I am a sucker for discographies on artists that I really enjoy. Even though he does release an insane amount of songs every year, the quality of them never seems to suffer. However seeing him live in California was probably the biggest letdown I have ever had when seeing someone play live. It was a terrible terrible show, but I haven't let it tarnish my appreciation for the recordings.
6. Boards of Canada - 243
This is a group that will probably be in my top 20 most listened to artists every year. The ambient nature of the music lets you listen and block it out, but its not so simple that its not interesting when you are actually listening.
7. Fever Ray - 223
After listening to her amazing debut album for a couple of months I tracked down all of the singles and remixes, which accounts for a lot of the 223 plays. Sometimes remixes are terrible, but Fever Ray has chosen very good people to work with and 90% of them are really really good.
8. The National - 218
I got tired of waiting for a followup to my favorite album of 2007, Boxer, so I listened to a lot of their earlier material/eps/singles this year. While non of them are as a whole as good as Boxer, There are a lot of songs that are on par with those on the album proper.
9. Nine Inch Nails - 208
I was thinking about how Nine Inch Nails is the band I have listened to regularly for the longest. I got The Downward Spiral when I was 12, so I have been listening to them for 14 years. That is insane. While a lot of the time I listen to them for nostalgic purposes, I have to admit I still really like them/him.
10. Aphex Twin - 199
Most of these plays is do to the fact that for about 2 months i Listened to Selected Ambient Works 85-92 about oncea week. While I enjoy most of his discography, nothing beats his early material.










