播放 Anton Bruckner 电台

Anton Bruckner

巡演中

已播放 432,172 次 (95,245 位听众)

正在收听: blackflutist

62 条留言

添加到音乐库 分享
安东·布鲁克纳(Anton Bruckner,1824年9月4日-1896年10月11日)生于奥地利安斯菲尔登,于维也纳逝世,是一位奥地利作曲家和管风琴演奏者。他最具代表性的作品是他那宏大的交响曲。

布鲁克纳在1824年9月4日在奥地利小镇安斯菲尔登一个教师家庭中出生,他是最年长的孩子。当时的奥地利,在教堂唱诗班里任职和管风琴演奏也是一个教师的职责。布鲁克纳早年学习小提琴,钢琴,但最主要是管风琴,10岁时即会间或到教堂当管风琴师帮补家计。他父亲死后,1837年他到圣弗洛里安慈善机构当合唱男童。在那里他得到音乐方面的深入教育并且受培训成为老师。他的第一份差事,(1841-1843)在小镇温德哈格当学校教师。但布鲁克纳和校长发生龃龉,最后竟至解聘:布鲁克纳自己应行的职责没尽,作曲太“多”,还在管风琴上即兴演奏。这个时期布鲁克纳写有一首弥撒曲(为女中音,两把圆号和管风琴而作)。

圣弗洛里安慈善机构后来向布鲁克纳提供一个教师职位,经过这一段可朗斯多夫的教师生活后(其中他还写作了一些作品),1845年布鲁克纳回到圣弗洛里安慈善机构,在那里作为“临时风琴手”,直到1855年,他已创作了一系列作品,包括一部大型B大调弥撒,为合唱,独唱和管弦乐队而作。

但布鲁克纳并不满足于圣弗洛里安慈善机构当教师。他到维也纳上课,老师是极端保守的同奏低音和对位法教授西蒙·锡希特。他还申请林兹的一个教堂管风琴职位,在一次试奏后他就成功了。1855年末他上任直到1868年。在林兹,他成为男声合唱协会的指挥,经常率团演出。布鲁克纳也没有忘记作曲,他写了一些合唱曲。在这个时期,他接触到了理查德·瓦格纳的作品,如唐豪瑟,漂泊的荷兰人,罗恩格林,特里斯坦与伊索尔德。这些作品对他影响深远。

但林兹也留不住布鲁克纳。他放弃了维也纳一个作为和声和对位法教师资格考试的成绩,虽然他以绝对优势通过了。他想得到的是一个宫廷管风琴师或者是一个教授职位。后来他去林兹剧院乐队长奥托·基兹勒那里上配器和谱曲法课。

1863年到1868年,就是他的不惑之年,布鲁克纳写出了他第一批“知名”的作品:三部大型的弥撒,分别是d,e和f小调和c小调第一交响曲。d小调弥撒的演出非常成功(1864年在林兹,1867年在维也纳)。第一交响曲(1868年在林兹首演)也受到布鲁克纳后来的对头爱德华·汉斯力克的正面评价。布鲁克纳花了不少心血在这些作品上,而且他还努力要到维也纳落户,这一切都不是无偿的:布鲁克纳在1867年因心理障碍要接受一个为期数月的疗养。

之后的1868年,布鲁克纳成功以通奏低音和对位法教授的身份到维也纳音乐学院任教。1869年他踏上了到南锡和巴黎的音乐会之旅,期间他在管风琴上做过不少即席演奏,博得掌声。在接下来的几年,布鲁克纳用尽一切办法去得到一个宫廷管风琴师和一个大学教授的位置,可惜长时间未果。1875年他最终成为维也纳大学“无薪教师”。但后来他还是成功成为了领薪教师。就连古斯塔夫·马勒也听过他的课。他的学生甚至有阿图·尼基什,Hans Rott,Joseph Schalk,Franz Schalk和Ferdinand Löwe。

他的第三交响曲使他在维也纳陷入了新一轮的危机。第一稿是献给瓦格纳的,上面援引了大量瓦格纳的东西,但很快他就对这稿作了大修改。1877年没有瓦格纳的影响的第二稿上演,得到的却是灾难性的结果。观众成批成批地离开。布鲁克纳成为彻底的瓦格纳主义者,同时也成为了刚到维也纳的勃拉姆斯的对头。直到第4交响曲在1881年上演,布鲁克纳才在对方阵营里赢得一些掌声。“勃拉姆斯派”(汉斯力克用语)和“瓦格纳和布鲁克纳派”之间的战火也终于停息。
阅读更多内容… 编辑

最佳专辑

查看更多

吼吼箱

留言。 登录到 Last.fm马上注册(完全免费)。
  • VasectomyOmega 说:
    星期三上午
    Second movement in Symphony No. 5 has some pretty mind blowing moments.

    查看专页 | 给 VasectomyOmega 留言

  • Taxes 说:
    星期二下午
    I love both Bruckner and Bach, how about that? Bruckner's ostinato like figures are certainly one of the defining feature in his style, and I personally find it very interesting; among others, it makes for a nice contrast with his forward-looking harmonies.

    查看专页 | 给 Taxes 留言

  • moon_musick 说:
    星期六晚上
    actually, bruckner is far less boring than bach to me. it seems no other composer is as overhyped as bach. surely there's much historical relevance, as to the development of the composition forms and techniques and so on, and i see why his pieces may be appealing to some, but he certainly was no ultimate master praised by the masses and scholars alike. i'm 1/3 through the haenssler edition box and there were few pieces i really enjoyed, especially early cantatas seem like a total pointlessness. i can understand why people like him (my girlfriend does) but i'm really tired of people who compare every composer to him, even those entirely different, like schoenberg or mahler. and while i still prefer mahler and wagner, imo bruckner's repetitiveness is nowhere near the dullness of some pieces by bach.

    查看专页 | 给 moon_musick 留言

  • CrazyBucket 说:
    上周
    http://www.last.fm/group/Anton+Bruckner

    查看专页 | 给 CrazyBucket 留言

  • AnneChovie 说:
    17 天前
    Sometimes his music irritates me in a way no other composers music can. Not even Prokofiev. He seems at times almost incompetent. I am not trying to be mean, really. A lot of his music is very beautiful, and there are works (2nd symphony, the Motets), and bits of his works, that I really do like a lot, but sometimes he gets these moronic loud galloping repeated figures going… somehow Wagner can pull that off, sometimes Bruckner just really doesn’t pull it off. And his defenders tell me “Oh, he was an organist” What the bloody hell does that mean? And wasn’t Bach an organist also? No one ever needs to defend Bach’s music.

    查看专页 | 给 AnneChovie 留言

  • Gamester 说:
    上月
    Hey! Care to join the new "Classical and Romantic Music" group! Check it out and join if you like! :o)

    查看专页 | 给 Gamester 留言

  • MetalManni 说:
    上月
    Symphony No. 6, 1st movement FTW!

    查看专页 | 给 MetalManni 留言

  • Conservationist 说:
    8月 2009
    Bruckner's attitude reminds me of Schopenhauer: seeking quietude through intense realization. Mahler is more neurotic, dramatic.

    查看专页 | 给 Conservationist 留言

  • Taxes 说:
    6月 2009
    Very interesting article indeed, and remarkably well balanced too, I would have thought that in the context when it was written, that he would have put more emphasis on the similarities between the two. 1940 is still a while before both Bruckner and Mahler reached the peak of popularity that we can see today (and this especially true in the latter case), seems to me that in such a case it would have been very tempting to exaggerate the points of agreement between those two then negliged composers.

    查看专页 | 给 Taxes 留言

  • Taxes 说:
    6月 2009
    I agree with that, that's probably something that comes from the respective personalities of the two composers. Walter says something in the same vein when he mentions that "at bottom Bruckner's spirit was repose, Mahler's unrest." which he follows with the also very accurate: "Bruckner's musical message stems from the sphere of the saints; in Mahler speaks the impassioned prophet.". So I think that this "social" dimension to Mahler's music in contrast to Bruckner's more introspective character is something that he understood fully.

    查看专页 | 给 Taxes 留言

  • zunari 说:
    6月 2009
    He died virgin

    查看专页 | 给 zunari 留言

  • CreamCat 说:
    6月 2009
    Interesting article, Taxes. Although Mahler and Bruckner have undeniable similarities, there is one fundemental difference, I think. Bruckner is a much more "existential" composer in the sense that his music deals with existence itself. At least in his symphonies, there's no room for other persons than the listener. It's you left alone with the mountains and the valleys - while you search for any proof that you actually exist in a psychological sense. Mahler was a much more "social" composer. His music could only exist in between human relations.

    查看专页 | 给 CreamCat 留言

  • Taxes 说:
    6月 2009
    Some interesting stuff here http://www.uv.es/~calaforr/walter.html, the famous Bruno Walter essay on the nature of Bruckner and Mahler. It's nice to see him note the parenting between Schubert and the two later composers, and unsurprisingly perhaps, his Bruckner Seventh is some of the most Schubertian non Schubert that I've heard. Holy fucking walls of text though, when will you silly German speaking people ever learn? :o

    查看专页 | 给 Taxes 留言

  • CreamCat 说:
    5月 2009
    Vienna...it's all about cake and hatred.

    查看专页 | 给 CreamCat 留言

  • ArousedNinja 说:
    5月 2009
    Ok, good. Hug accepted. Also, most of my friends who like to irrationally hate on Bruckner, like me, admit that he was an excellent composer. I don't know, people from Vienna feel entitled to hate on him.

    查看专页 | 给 ArousedNinja 留言

  • CreamCat 说:
    5月 2009
    ArousedNinja: Believe it or not, I wasn't too serious myself with that comment. *hug*

    查看专页 | 给 CreamCat 留言

  • ArousedNinja 说:
    5月 2009
    People who are in serious need of a corkscrew.

    查看专页 | 给 ArousedNinja 留言

  • Taxes 说:
    5月 2009
    No but seriously, what kind of twisted person would someone have to be to dislike something like the Seventh?!

    查看专页 | 给 Taxes 留言

  • ArousedNinja 说:
    5月 2009
    And CreamFreud, -10 points for those hasty assumptions. I am actually objective enough to appreciate Bruckner's music, and I have listened to his symphonies and 'understood' them. I don't like Bruckner for shallow reasons, and even if I didn't, I'd pretend I do anyway, just to get reactions like yours. But you can 'learn' me any time.

    查看专页 | 给 ArousedNinja 留言

  • ArousedNinja 说:
    5月 2009
    Ah my bad. Someone else told me about the three Bs thing and I didn't bother to check, in my pointless rage. Which means there is only one conclusion, fuck Bruckner AND Wagner. But yeah you got the Viennese sarcasm right, because that's where I'm from.

    查看专页 | 给 ArousedNinja 留言

查看全部 62 条留言

视频

听众

查看更多

最近活动

相关日志

查看更多

更多信息

Links
唱片公司